Wednesday, 30 June 2010
Coming soon...
Song of the Moment: One Night Only - Say You Don't Want It
no. just no.

Lord Gaga

Monday, 28 June 2010
WHAT could possibly be bad about this?

The first Titanic film became the biggest movie ever at the time... call us cynics but we can't see history repeating itself.
Have Faith in yourself, Paloma

Friday, 25 June 2010
One year on...

Natural Beauty?

Purple/Bluey Rain
Thursday, 24 June 2010
Underrated: Alanis Morissette - Under Rug Swept
A little sooner than we realised, this week’s ‘Underrated’ focuses on another album, but this time by a completely different kind of female artist – Alanis Morissette’s ‘Under Rug Swept’.
When she exploded on to the international music scene in 1995, Alanis Morissette quickly became the poster girl for angry young women everywhere – a label she did not embrace. The former national teen star had previously released two pop albums in her native Canada before being signed to the Madonna owned record label Maverick, where she released what would go on to become the biggest selling album by a female artist in US chart history ‘Jagged Little Pill’. The angst ridden heavy rock-pop disc, written and produced by Morissette and hit maker Glen Ballard, was originally only made to sell enough copies so that Alanis could record a more polished second album for the label. All that changed when radio stations and MTV put ‘Pill’s first single ‘You Oughta Know’ in to heavy rotation and by the time the album’s biggest hit ‘Ironic’ was released, it had already sold nearly 20million copies world-wide. The ‘damage’ was done, Morissette would forever be referred to as the angry white female of her generation.
After an extensive world tour to promote ‘Jagged Little Pill’ Alanis began work on it’s follow-up, the intriguingly titled ‘Supposed Former Infatuation Junkie’. The album itself, co-written and produced again with Glen Ballard, and it’s title expressed Morissette’s dismay at the image portrayed of her by the media and attempts to shatter the idea that she was a one-trick-pony. First single ‘Thank U’, written after she had fallen ill while travelling in India, surprised critics and fans alike with it’s serene and peaceful sound. The video for the track also caused controversy and was unintentionally humorous, featuring Alanis walking naked around New York City, with only her trademark long brown hair giving her any modesty. Much of ‘SFIJ’ follows a similar theme to ‘Thank U’ of forgiveness and spiritual contemplation, a far cry the from the angst and frustration expressed in it’s predecessor. Also the exhausting 18 song track list and a lack of hook and chorus in some of the songs, as well as a formula that confused her most loyal fans, led to the album barely selling in excess of 5million copies. Alanis toured ‘SFIJ’ through much of 1999 and 2000 before taking timeout from the spotlight all together.
After nearly two years of legal disputes with Maverick, which led to Madonna herself begging Morissette not to leave the label, in February 2002 Alanis was finally able to release her 3rd international album ‘Under Rug Swept’. Preceded by the radio hit ‘Hands Clean’, ‘Under Rug Swept’ was Morissette’s most commercial sounding album to date, which is by no means a bad thing. Gone was the majority of personal contemplation expressed on the previous album, instead Alanis sticks to where she sounds most at home: dissecting her relationships.
At only 11 tracks long and full of sing-along hooks, ‘URS’ is a far more accessible album than ‘SFIJ’ and shows a maturity lacking in ‘Jagged Little Pill’. Interestingly, Alanis did not to work with Glen Ballard on ‘URS’, instead she wrote and produced every single song herself – a creative decision she has said happened organically. Morissette also had an interesting approach when it came to creating the songs that appeared on the album; she would write the song and lay down the vocals for it at the same time, if the process was taking longer than about 20 minutes the track would be discarded and she would start another. Alanis said it gave the disc a sense of urgency, another reason behind keeping the track list down to only 11 songs. This unique method helps keep ‘URS’ not only an incredible display of talent, but listenable from beginning to end.
Tracks like guitar-heavy opener ’21 things I want in a lover’ and the folk-y ‘Utopia’ show a fearlessness and sense of self which Alanis had not shown in her previous work. The scathing ‘Narcissus’ and the brilliant ‘So Unsexy’ seem almost custom built to appeal to a whole new generation of angry young women. Other stand out tracks include; the role-reversing lead single ‘Hands Clean’; an ode to the 9/11 fire-fighters ‘Surrender’ and the outstanding ‘Precious Illusions’. On ‘Under Rug Swept’ Alanis seems to have finally come to terms with her fame and herself. She embraces her quirkiness not only in her lyrics but in the arrangements and production of the songs.
Commercially however ‘Under Rug Swept’ was not a major success. Selling only half of what ‘Supposed Former Infatuation Junkie’ had, Maverick did not promote the album beyond 2 singles. Alanis took the disc on tour and released an EP ‘Feast On Scraps’ which consisted of songs recorded in the ‘URS’ sessions but not included on the final product. Morissette has gone on to release two more studio albums since ‘URS’ but neither have been huge commercial successes like ‘Jagged Little Pill’ became.
Neither a break-up album nor a collection of spiritual introspections, ‘Under Rug Swept’ stands alone as Alanis Morissette’s most creative and commercially appealing album to date. It is essentially a collection of great rock-pop songs, written by a truly unique artist. That originality may mean Morissette will never again have a commercial breakthrough like ‘Jagged Little Pill’ but I suspect she’s not worried either way. When you have the amount of talent and creativity Alanis does, something like record sales will never be a top concern. Frankly, she’s better off for it.
Wednesday, 23 June 2010
Get me to the car
game, set and ... record breaking match!!
Alanis Remains
Tuesday, 22 June 2010
All the country lovers
Song of the Moment: Christina Aguilera - Vanity

Christina Aguilera’s new album ‘Bionic’ has a lot of great songs on it. Unfortunately it also has a lot of not-so-great songs on it too. Today’s song of the moment ‘Vanity’ is one of the former. It’s probably about as ‘Britney’ as Christina will ever get - which is a very good thing – although Spears herself doesn’t possess the strength or conviction in her voice to pull it off.
‘Vanity’ is an ode to loving yourself; accepting that there’s nothing wrong with that and reminding people that you’re f*cking amazing. The last track on the disc, it packs an electro pop swagger that not only makes it one of ‘Bionic’s more authentic numbers, but one of its gayest too. It’s a provocative, hilarious F-U ego trip, best listened to when strutting down an unpleasant street, surrounded by unsightly people as a reminder that you are far too fabulous to be there. One of the best moments is close to the end of the track when Aguilera talk-sings “Let us not forget - who owns the thrown” – a defiant statement perhaps aimed at another blond native New Yorker? In fact the only let-down in ‘Vanity’ is straight after that line, when you hear Christina’s son Max respond “you do mommy”. A sweet gesture, however it’s completely inappropriate in a song including the lines “I’m a bad-ass b*tch” “that b*tch is so f*cking pretty” and “ain’t nobody got sh*t on me”. The word “B*tch” actually appears in the song 10 times.
It’ll be interesting to see if ‘Bionic’ becomes a hit album, as so far it’s failed to make an impact the way Christina and her label had anticipated. The problem is that Aguilera promised us an electro-pop album and what we got was a pop/r’n’b album with a few electro moments - it seems a case of her label having one idea for the disc and Christina having another. What’s clear is that with more songs that sound like ‘Vanity’ ‘Bionic’ would be a much better listen than what it is.
Remember “if the shoe fits – wear it b*tch!”
Fan-Brill-Zing
Look at my nipples/Look at my ribs

On the left is Oscar winning actress and all round legend Dame Helen Mirren. On the right is 90210 actress Annalynne McCord with her sister Angel. 63 is the new 22.
Monday, 21 June 2010
You know that 'Commander' song we were rambling on about the other day....
Sunday, 20 June 2010
"I'll turn you in to a fart joke"
A Fox & A Cat

Coming Out/Staying In

Saturday, 19 June 2010
GaGa Kills 'The Fame Monster'

Gagadaily.com a highly reliable source for news on Lady GaGa has confirmed that the superstar's latest single 'Alejandro' will be the final single taken from her hugely successful (and frankly amazing) re-release of 'The Fame'/second album 'The Fame Monster'.
The Man In the Mirror
Song of the Moment: Kelly Rowland - Commander
Friday, 18 June 2010
Underrated: Britney Spears - Blackout
Welcome to the first ‘Underrated’ – an in-depth look at the moments and people in pop culture who have gone by without recognition. This first instalment takes a look at the 2007 album ‘Blackout’ by pop superstar Britney Spears.
July 2007. Britney Spears had spent the start of the year falling out of night clubs, getting out of cars without underwear on, shaving off all her hair and going in and out of various rehabilitation facilities. All this had been captured by the ever present lens of the paparazzi and presented to a public already familiar with the bizarre antics of the former teen star. Even before all this we had already seen her marry twice – one, lasting only 48hrs in Vegas to a childhood sweetheart, have two children and divorce a second time.
If anyone was in need of a comeback it was Britney.
Then in the peak of summer, like a phoenix from the ashes, a new song - the first single from Spears’ 5th studio album - leaked online. ‘Gimme More’ is a taste of 21st century American pop at it’s very best; produced by Timbland protégé Danja and written by Keri Hilson, the blend of Danja’s pulsating beats, Hilson’s sensual lyrics and Spears’ breathy hypnotizing vocals, ‘Gimme More’ is perhaps the best Britney Spears song ever. From the opening line “It’s Britney, bitch” to Danja’s shout out “the legendary Miss Britney Spears” ‘Gimme More’ is the manifesto for the rest of ‘Blackout’- bratty, brave, bold, brash, Britney.
Second single ‘Piece of Me’, produced and written by long time Spears’ collaborators Bloodshy and Avant further drives home the point that this, at least sonically, is a new edgier Britney that doesn’t care what you (aka the media) think. Other album highlights include another Danja produced track, the sexy ‘Get Naked (I Gotta Plan)’, album closer the Pharrell Williams penned ‘Why Should I Be Sad’ and another Bloodshy and Avant effort ‘Toy Soldier’ which, with it’s obnoxious delivery, busy production and catchy lyrics is quintessential Britney.
Full of fresh sounds for the time and well crafted club driven beats, ‘Blackout’ remains Britney’s most critically acclaimed album, yet commercially it has been her least successful. It doesn’t take a genius to realise the reason for this; an audience distracted by the seemingly hourly updates on blogging sites and tabloid magazines on Spears’ personal life would probably have been completely unaware a new album was being released. This combined with what little promotion Britney herself did for the project (her lazily mimed performance of ‘Gimme More’ at the MTV VMA’s that year probably did more harm than good and I refuse to even acknowledge the accompanying music videos to the album’s three singles) led to it ultimately going largely unnoticed by the record buying public.
It’s a shame that, outside of Britney Spears fans, ‘Blackout’ has never received the recognition it deserves. Whether that recognition lies with Britney herself or the teams of producers and writers who helped create the album is debatable. What is clear is that ‘Blackout’s influence can be heard in the work of numerous artists including Ciara, Lady GaGa, Christina Aguilera and even Madonna. Britney Spears, the trend setter? Hardly. What ‘Blackout’ does prove though, is that even when she is in the middle of a personal life crisis, you can still count on Britney to lead the way to the dance floor. And it’s still fun to join her.
Oh say can you... sing?
Thursday, 17 June 2010
The Boyleing Point?
Coming to a Superdrug near you soon....
God Bless America
Uh-oh

tit for tat?
Wednesday, 16 June 2010
Like a Virgin
Ummmm....

The new Kelis video has arrived....
Tuesday, 15 June 2010
award winning peformance by Michele at Tony's
welcome
Thanks